This bassline is classic Ray, with the hardest swinging two feel, ultra-melodic walking, and a 2 1/2 octave diminished lick thrown in for good measure. That changes now, with my transcription of Ray Brown on the Cole Porter gem "In The Still Of The Night." Since then I've put a fair amount of time into transcribing Ray, but for some reason I had never done a tune from this record. I found a teacher and started practicing, and began my journey on the bass in earnest. The sense of swing, the sound of the bass, the feeling of the bass and drums playing together - that was it, man. I liked it, like, actually, and I listened to it a lot. It was a cassette tape and it cost a dollar, so I gave it a chance. Brown first made his mark at age 19 when he went to New York. ![]() Then came this record, which I happened across at my local Goodwill. I had heard of Oscar Peterson, and of course knew Ray Brown from that SuperBass CD I was given a few years earlier. Rate this transcription: Ray Brown, byname of Raymond Matthews Brown, (born October 13, 1926, Pittsburgh, Pennsylvania, U.S.died July 2, 2002, Indianapolis, Indiana), American string bassist and one of the greatest of all jazz virtuosos. Turns out it was tough to play, it gave me blisters, and I didn't like practicing, so it sat around. My parents had bought it for me to encourage an interest in jazz, but I only really wanted an upright bass because MCA had one. I played mediocre electric bass and claimed to like jazz but didn't actually, and I had an old Kay sitting in my closet. With fellow composer Matt McGuire, he also contributed music to the 2014 documentary Homme Less.įBPO’s Jon Liebman spoke with Eastwood about his formative years, the French jazz scene, composing for Hollywood and more during a meetup at the Detroit Jazz festival this past summer.So, Oscar Peterson Trio Plays The Cole Porter Songbook was the first jazz record I remember actually liking (loving really), and I believe it's singlehandedly responsible for me deciding to actually learn jazz and learn how to play the bass. The song is played at quite a fast tempo for this song. Order Teach Me Tonight - Ray Brown Full Bass Score «Soular Energy (Ray Brown)» Concord Jazz (1985) 5 pp. I found his version of All The Things You Are, which had a few ( well a lot actually) nice lines in it, so I decided to transcribe those parts, or verses containing the lines I like the sound of. In addition to this, Eastwood has also worked extensively in film, having composed or contributed to many of his father’s movies, including Gran Torino and Letters from Iwo Jima, the latter of which got him (and co-writer Michael Stevens) a nomination from the Chicago Film Critics Association for best original score in 2005. Ray Brown in one of the great upright Jazz bass players. Eastwood has recorded nine albums in all as a leader, most recently this year’s In Transit with a quintet consisting of himself, Andrew McCormack (piano), Quentin Collins (trumpet and flugelhorn), Brandon Allen (tenor and soprano saxophone) and Ernesto Simpson (drums) accompanied by special guest Stefano di Battista on saxes. His sophomore record, Paris Blue, released in 2005, was a major sensation in France, reaching all the way to #1 on the French Jazz Charts. and Europe.Īfter spending his early years as a session player, and going on to head up a quartet, Eastwood recorded his first solo album, From Here to There, a collection of standards and original songs, in 1998. Walking a path that‘s straddled hard bop and contemporary jazz (and at times skirted into fusion and electro-jazz territory), though, he’s done just that, winning over critics at publications like Downbeat and JazzTimes and commanding the respect of audiences in the U.S. Ray Brown in one of the great upright Jazz bass players. ![]() That’s no small task for anyone, but for him it’s also meant making a place for himself outside of the shadow cast by his legendary father, actor and director Clint Eastwood. in the 1990s, jazz bassist Kyle Eastwood has established himself as a formidable performer and bandleader, as well as a jazz and film score composer. In the years since he got his start playing gigs in New York and L.A. ![]() Paris-based jazzman on Ray Brown’s influence, working in Hollywood and moreĮxclusive video interview with FBPO’s Jon Liebman
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